Shop

Sheperds of the Trees
Haidar Mahdi

52 000 sek

Info

Ceramics

60 × 60 × 30 cm
7 kg

Born and raised in a small town in southern Sweden with a mother that originates from Poland and a father from Iraqi, Haidar Mahdi (b. 1986) works with clay and sculpture which bear the stamp of his multicultural background. His sculptures are created using traditional ceramic methods that are rich in classical ornamentation, and play with these traditional expressions in combination with bolder shapes and colors. The result is an art that takes use of a broad concept of beauty, which includes the rich and the gaudy, to create a feel of overabundance. His clay objects are so loaded with fakery and imitation that it becomes something else, something bigger. Mahdi is educated at Konstfack University of Arts, Craft and Design and at The Royal Academy of Art in Stockholm.

Tower of Isengard
Haidar Mahdi

35 000 sek

Info

Ceramics

60 × 25 × 25 cm
7 kg

Born and raised in a small town in southern Sweden with a mother that originates from Poland and a father from Iraqi, Haidar Mahdi (b. 1986) works with clay and sculpture which bear the stamp of his multicultural background. His sculptures are created using traditional ceramic methods that are rich in classical ornamentation, and play with these traditional expressions in combination with bolder shapes and colors. The result is an art that takes use of a broad concept of beauty, which includes the rich and the gaudy, to create a feel of overabundance. His clay objects are so loaded with fakery and imitation that it becomes something else, something bigger. Mahdi is educated at Konstfack University of Arts, Craft and Design and at The Royal Academy of Art in Stockholm.

Tower doom metal
Haidar Mahdi

58 000 sek

Info

Ceramics

60 × 25 × 35 cm
5 kg

Born and raised in a small town in southern Sweden with a mother that originates from Poland and a father from Iraqi, Haidar Mahdi (b. 1986) works with clay and sculpture which bear the stamp of his multicultural background. His sculptures are created using traditional ceramic methods that are rich in classical ornamentation, and play with these traditional expressions in combination with bolder shapes and colors. The result is an art that takes use of a broad concept of beauty, which includes the rich and the gaudy, to create a feel of overabundance. His clay objects are so loaded with fakery and imitation that it becomes something else, something bigger. Mahdi is educated at Konstfack University of Arts, Craft and Design and at The Royal Academy of Art in Stockholm.

Mormors hosta
Haidar Mahdi

52 000 sek

Info

Ceramics

55 × 40 × 30 cm
8 kg

Born and raised in a small town in southern Sweden with a mother that originates from Poland and a father from Iraqi, Haidar Mahdi (b. 1986) works with clay and sculpture which bear the stamp of his multicultural background. His sculptures are created using traditional ceramic methods that are rich in classical ornamentation, and play with these traditional expressions in combination with bolder shapes and colors. The result is an art that takes use of a broad concept of beauty, which includes the rich and the gaudy, to create a feel of overabundance. His clay objects are so loaded with fakery and imitation that it becomes something else, something bigger. Mahdi is educated at Konstfack University of Arts, Craft and Design and at The Royal Academy of Art in Stockholm.

Sorority Girl
Haidar Mahdi

28 000 sek

Info

Ceramics

35 × 22 × 22 cm
2 kg

Born and raised in a small town in southern Sweden with a mother that originates from Poland and a father from Iraqi, Haidar Mahdi (b. 1986) works with clay and sculpture which bear the stamp of his multicultural background. His sculptures are created using traditional ceramic methods that are rich in classical ornamentation, and play with these traditional expressions in combination with bolder shapes and colors. The result is an art that takes use of a broad concept of beauty, which includes the rich and the gaudy, to create a feel of overabundance. His clay objects are so loaded with fakery and imitation that it becomes something else, something bigger. Mahdi is educated at Konstfack University of Arts, Craft and Design and at The Royal Academy of Art in Stockholm.

Yareta Stool Alu
Akasta / Erik Olovsson

3 500 sek

Info

Anodized aluminium stool with unique, hand made rubber feet, signed by the artist.Aluminum, Polyurethane rubber

46 × 45 × 46 cm
5 kg

Studio Erik Olovsson is a Stockholm based design studio. It was founded 2013 and works within the fields of product, furniture and graphic design. Studio EO has a focus on improvisation and joining materials in new ways. The studio aims at having an intuitive and experimental starting point in the projects and works in a mix of self initiated projects and commissions. Studio EO have works represented at Galerie kreo in Paris and have exhibited at Design Miami, PAD London and TEFAF Maastricht and others in recent years.

Erik Olovsson (b. 1982) graduated from Konstfack University of Arts, Craft and Design in 2012 after studies in Fine Art, Photography and Graphic Design. He also worked as an art director at the creative studio Acne for three years. CREAM have been exhibiting works by Olovsson since its initial launch in 2022.

You, matter
N.ALEG

60 000 sek

Info

Aluminum

74 × 110 × 3 cm
40 kg

Niklas Alriksson aka N.ALEG (b. 1989) is a multidisciplinary artist from Strängnäs, based and working in Stockholm. His mediums range from drawing, painting to sculpture, as well as installations in metal, concrete, or video. His works materialize stories of impossible time and infinite spaces beyond human reach.

Arrangement #8
Nick Ross

18 000 sek

Info

Solid Mahogany
‍
28 × 48 × 35 cm
6 kg

Nick Ross (b. 1986) is a Scottish-Swedish designer based in Stockholm. His work revolves around delving into the intricate tapestry of history, especially antiquity, by examining facts and events that have shaped specific cultural contexts. He has exhibited his previous works internationally and has collaborated with several international brands, including +Halle, Rimowa, Audo, Karakter, NIKO JUNE, and Louis Vuitton.

Arrangement #9
Nick Ross

32 000 sek

Info

Solid Maple
‍
28 × 78 × 44 cm
12 kg

Nick Ross (b. 1986) is a Scottish-Swedish designer based in Stockholm. His work revolves around delving into the intricate tapestry of history, especially antiquity, by examining facts and events that have shaped specific cultural contexts. He has exhibited his previous works internationally and has collaborated with several international brands, including +Halle, Rimowa, Audo, Karakter, NIKO JUNE, and Louis Vuitton.

Arrangement #10
Nick Ross

52 000 sek

Info

Solid Cherry
‍
36 × 58 × 148 cm
17 kg

Nick Ross (b. 1986) is a Scottish-Swedish designer based in Stockholm. His work revolves around delving into the intricate tapestry of history, especially antiquity, by examining facts and events that have shaped specific cultural contexts. He has exhibited his previous works internationally and has collaborated with several international brands, including +Halle, Rimowa, Audo, Karakter, NIKO JUNE, and Louis Vuitton.

Arrangement #11
Nick Ross

16 000 sek

Info

Solid Maple
‍
28 × 54 × 30 cm
6 kg

Nick Ross (b. 1986) is a Scottish-Swedish designer based in Stockholm. His work revolves around delving into the intricate tapestry of history, especially antiquity, by examining facts and events that have shaped specific cultural contexts. He has exhibited his previous works internationally and has collaborated with several international brands, including +Halle, Rimowa, Audo, Karakter, NIKO JUNE, and Louis Vuitton.

Arrangement #12
Nick Ross

64 000 sek

Info

Solid Mahogany
‍
42 × 36 × 164 cm
15 kg

Nick Ross (b. 1986) is a Scottish-Swedish designer based in Stockholm. His work revolves around delving into the intricate tapestry of history, especially antiquity, by examining facts and events that have shaped specific cultural contexts. He has exhibited his previous works internationally and has collaborated with several international brands, including +Halle, Rimowa, Audo, Karakter, NIKO JUNE, and Louis Vuitton.

Moonwalker #1
Pontus Djanaieff

25 000 sek

Info

Molded plastic, acrylic and spray paint, plywood, metal
83 × 55 × 25 cm

Ecstatic joy and playfulness are in abundance in the Djanaieff universe where pop culture and fine art collide in an explosion of colors and shapes. The chaotic mix of appropriated images is visually intense, highly detailed and never dull. The inspiration comes from childhood heroes, movie posters, youth culture and street art. The artist himself calls his works contemporary cave paintings, born out of a need to illustrate the zeitgeist of our time.

Pontus Djanaieff (b. 1967) is based in Stockholm and educated at Beckmans School of Design, he has worked in art, design, interior and entertainment with client such as Ikea, Absolut, SVT, Sveriges Radio and ZTV.

Moonwalker #2
Pontus Djanaieff

25 000 sek

Info

Molded plastic, acrylic and spray paint, plywood, metal
83 × 55 × 25 cm

Ecstatic joy and playfulness are in abundance in the Djanaieff universe where pop culture and fine art collide in an explosion of colors and shapes. The chaotic mix of appropriated images is visually intense, highly detailed and never dull. The inspiration comes from childhood heroes, movie posters, youth culture and street art. The artist himself calls his works contemporary cave paintings, born out of a need to illustrate the zeitgeist of our time.

Pontus Djanaieff (b. 1967) is based in Stockholm and educated at Beckmans School of Design, he has worked in art, design, interior and entertainment with client such as Ikea, Absolut, SVT, Sveriges Radio and ZTV.

New Kingdom
Pontus Djanaieff

40 000 sek

Info

MDF, molded plastic, acrylic and spray paint, plywood, metal
187 × 126 × 2 cm

Ecstatic joy and playfulness are in abundance in the Djanaieff universe where pop culture and fine art collide in an explosion of colors and shapes. The chaotic mix of appropriated images is visually intense, highly detailed and never dull. The inspiration comes from childhood heroes, movie posters, youth culture and street art. The artist himself calls his works contemporary cave paintings, born out of a need to illustrate the zeitgeist of our time.

Pontus Djanaieff (b. 1967) is based in Stockholm and educated at Beckmans School of Design, he has worked in art, design, interior and entertainment with client such as Ikea, Absolut, SVT, Sveriges Radio and ZTV.

Stars ’n’ Trash #1
Pontus Djanaieff

12 000 sek

Info

MDF, molded plastic, acrylic and spray paint, plywood, metal
160 × 40 × 2 cm

Ecstatic joy and playfulness are in abundance in the Djanaieff universe where pop culture and fine art collide in an explosion of colors and shapes. The chaotic mix of appropriated images is visually intense, highly detailed and never dull. The inspiration comes from childhood heroes, movie posters, youth culture and street art. The artist himself calls his works contemporary cave paintings, born out of a need to illustrate the zeitgeist of our time.

Pontus Djanaieff (b. 1967) is based in Stockholm and educated at Beckmans School of Design, he has worked in art, design, interior and entertainment with client such as Ikea, Absolut, SVT, Sveriges Radio and ZTV.

Stars ’n’ Trash #2
Pontus Djanaieff

12 000 sek

Info

MDF, molded plastic, acrylic and spray paint, plywood, metal
160 × 40 × 2 cm

Ecstatic joy and playfulness are in abundance in the Djanaieff universe where pop culture and fine art collide in an explosion of colors and shapes. The chaotic mix of appropriated images is visually intense, highly detailed and never dull. The inspiration comes from childhood heroes, movie posters, youth culture and street art. The artist himself calls his works contemporary cave paintings, born out of a need to illustrate the zeitgeist of our time.

Pontus Djanaieff (b. 1967) is based in Stockholm and educated at Beckmans School of Design, he has worked in art, design, interior and entertainment with client such as Ikea, Absolut, SVT, Sveriges Radio and ZTV.

Dovetail table
Shane Schneck (General Store)

12 000 sek

Info

The table is a hybrid of traditional carpentry and modern design, combining dovetail joinery, lathing and hand craftsmanship. Produced in the former workshop of Carl Malmstens in Småland, Sweden.
‍
40 × 25 × 120 cm
5 kg

"General Store is a foundry of ideas embracing industry and craft to develop functional objects we find joy in making and using. Our ambition is to employ sustainable materials and production to create objects that will serve generations. We work closely with artisans we adminre to reveal a new formal languages and elevate the quotidian.”

The concept was created by Chicago-born designer Shane Schneck (b. 1970) and his Stockholm-based design studio. Schneck have previously designed furnitures for HAY and have a background from the Piero Lissoni studio in Milan.

Dovetail table
Shane Schneck (General Store)

12 000 sek

Info

The table is a hybrid of traditional carpentry and modern design, combining dovetail joinery, lathing and hand craftsmanship. Produced in the former workshop of Carl Malmstens in Småland, Sweden.
‍
Ø90 × 25
5 kg

"General Store is a foundry of ideas embracing industry and craft to develop functional objects we find joy in making and using. Our ambition is to employ sustainable materials and production to create objects that will serve generations. We work closely with artisans we adminre to reveal a new formal languages and elevate the quotidian.”

The concept was created by Chicago-born designer Shane Schneck (b. 1970) and his Stockholm-based design studio. Schneck have previously designed furnitures for HAY and have a background from the Piero Lissoni studio in Milan.

Easel
Shane Schneck (General Store)

4 000 sek

Info

Smallness is not often analogous to comfort, but it was a welcome surprise when we hit upon the composition of this chair. Despite the seat’s re- duced proportions the angle and position make it remarkably comfortable for the curiously small footprint. When in use the seat becomes invisible support for the seated hence the name Easel. The base is constructed with half-lap joints in solid pine and offers a stable feel despite its dimensions.
‍
25 × 70 × 60 cm
3 kg

"General Store is a foundry of ideas embracing industry and craft to develop functional objects we find joy in making and using. Our ambition is to employ sustainable materials and production to create objects that will serve generations. We work closely with artisans we adminre to reveal a new formal languages and elevate the quotidian.”

The concept was created by Chicago-born designer Shane Schneck (b. 1970) and his Stockholm-based design studio. Schneck have previously designed furnitures for HAY and have a background from the Piero Lissoni studio in Milan.

TBA

Easel
Shane Schneck (General Store)

4 000 sek

Info

Smallness is not often analogous to comfort, but it was a welcome surprise when we hit upon the composition of this chair. Despite the seat’s re- duced proportions the angle and position make it remarkably comfortable for the curiously small footprint. When in use the seat becomes invisible support for the seated hence the name Easel. The base is constructed with half-lap joints in solid pine and offers a stable feel despite its dimensions.
‍
25 × 70 × 60 cm
3 kg

"General Store is a foundry of ideas embracing industry and craft to develop functional objects we find joy in making and using. Our ambition is to employ sustainable materials and production to create objects that will serve generations. We work closely with artisans we adminre to reveal a new formal languages and elevate the quotidian.”

The concept was created by Chicago-born designer Shane Schneck (b. 1970) and his Stockholm-based design studio. Schneck have previously designed furnitures for HAY and have a background from the Piero Lissoni studio in Milan.

Anema
Alice Shulman

12 500 sek

Info

Glass
34 × 17 × 17 cm

Abyss, Anema, and Hycean are part of Wave collection created in 2022. The glass vessels have been built in several layers of clear and coloured glass which result in complex, organic character.

“The sea is the ultimate emotional landscape. It reflect everything from what is most clear and pure to the deepest and darkest. Initially, it is an emotional game, with waves that build into each other to create shape, structure and depth”

Alice Shulman, born in Kyiv, Ukraine (b. 1983), has a fashion background from Beckman’s College of Design in Stockholm and Central Saint Martins in London. Alice approaches glass similarly to the way she approaches textiles, by cutting and distorting the material and letting it solidify in its volatile form.

Hycean
Alice Shulman

12 500 sek

Info

Glass
35 × 19 × 20 cm

Abyss, Anema, and Hycean are part of Wave collection created in 2022. The glass vessels have been built in several layers of clear and coloured glass which result in complex, organic character.

“The sea is the ultimate emotional landscape. It reflect everything from what is most clear and pure to the deepest and darkest. Initially, it is an emotional game, with waves that build into each other to create shape, structure and depth”

Alice Shulman, born in Kyiv, Ukraine (b. 1983), has a fashion background from Beckman’s College of Design in Stockholm and Central Saint Martins in London. Alice approaches glass similarly to the way she approaches textiles, by cutting and distorting the material and letting it solidify in its volatile form.

Abyss
Alice Shulman

12 500 sek

Info

Glas
37 × 17× 17 cm

Abyss, Anema, and Hycean are part of Wave collection created in 2022. The glass vessels have been built in several layers of clear and coloured glass which result in complex, organic character.

“The sea is the ultimate emotional landscape. It reflect everything from what is most clear and pure to the deepest and darkest. Initially, it is an emotional game, with waves that build into each other to create shape, structure and depth”

Alice Shulman, born in Kyiv, Ukraine (b. 1983), has a fashion background from Beckman’s College of Design in Stockholm and Central Saint Martins in London. Alice approaches glass similarly to the way she approaches textiles, by cutting and distorting the material and letting it solidify in its volatile form.

Maggan haggan vol. 2
Stefanie Gripenberg

15 000 sek

Info

Own excavated clay from Vårdinge, painted with acrylic paint
‍
70 × 68 × 39 cm
8 kg

”My approach to art is to experiment and test, and I try not to inject too much prestige into my work. I want it to be playful, convey a message, and at the same time be accessible and easy to understand.” Stefanie Gripenberg (b. 1990) have studied ceramics at Vårdinge Folkhögskola and is currently enrolled in the Bachelor’s program in Ceramics and Glass at Konstfack University of Arts, Craft and Design.

Curvy walnut chair
Niklas Runesson

48 000 sek

Info

Walnut & sheap fur
‍
78 × 70 × 67 cm
13 kg

Wood is something that runs in the family for the self-taught furniture artist Niklas Runesson (b. 1985). Several generations before him were woodworkers and craftsmen, some with wooden toys as a speciality. Runesson has embraced the tradition with a playful and artful twist. His objects often takes the form of a sculpture, or has semi-functional role in their physical presence. There is often an organic touch that showcases the flexibility and vitality of the material, and there is always an affection and respect for it.

Pigoatswan
Niklas Runesson

40 000 sek

Info

Walnut
‍
30 × 180 × 80 cm
13 kg

Wood is something that runs in the family for the self-taught furniture artist Niklas Runesson (b. 1985). Several generations before him were woodworkers and craftsmen, some with wooden toys as a speciality. Runesson has embraced the tradition with a playful and artful twist. His objects often takes the form of a sculpture, or has semi-functional role in their physical presence. There is often an organic touch that showcases the flexibility and vitality of the material, and there is always an affection and respect for it.

Tiny walnut lover
Niklas Runesson

15 000 sek

Info

Walnut
‍
22 × 40 × 22 cm
13 kg

Wood is something that runs in the family for the self-taught furniture artist Niklas Runesson (b. 1985). Several generations before him were woodworkers and craftsmen, some with wooden toys as a speciality. Runesson has embraced the tradition with a playful and artful twist. His objects often takes the form of a sculpture, or has semi-functional role in their physical presence. There is often an organic touch that showcases the flexibility and vitality of the material, and there is always an affection and respect for it.

Glass1 #8
Josefin Zachrisson (Swedish Girls)

12 000 sek

Info

Blown and sculpted glass, uncoloured
‍
28 × 24 × 15 cm
9 kg

Josefin Zachrisson (b. 1994) is a multidisciplinary artist and designer. She is part of the art and design collective Swedish Girls. The Stockholm and Milan based group works across objects and installations with a conceptual and experimental approach.

Her first series of glass work is the result of a two week long residency in The Glass Factory Boda where she worked together with Glass Master Peter Kuchinke. The series consists of 15 unique vases in blow moulded and sculpted glass, each signed 2019.

Glass1 #7
Josefin Zachrisson (Swedish Girls)

10 000 sek

Info

Blown and sculpted glass, uncoloured
‍
22 × 26 × 22 cm
4 kg

Josefin Zachrisson (b. 1994) is a multidisciplinary artist and designer. She is part of the art and design collective Swedish Girls. The Stockholm and Milan based group works across objects and installations with a conceptual and experimental approach.

Her first series of glass work is the result of a two week long residency in The Glass Factory Boda where she worked together with Glass Master Peter Kuchinke. The series consists of 15 unique vases in blow moulded and sculpted glass, each signed 2019.

Glass1 #6
Josefin Zachrisson (Swedish Girls)

8 000 sek

Info

Blown and sculpted glass, uncoloured
‍
22 × 25 × 19 cm
5 kg

Josefin Zachrisson (b. 1994) is a multidisciplinary artist and designer. She is part of the art and design collective Swedish Girls. The Stockholm and Milan based group works across objects and installations with a conceptual and experimental approach.

Her first series of glass work is the result of a two week long residency in The Glass Factory Boda where she worked together with Glass Master Peter Kuchinke. The series consists of 15 unique vases in blow moulded and sculpted glass, each signed 2019.

Glass1 #2
Josefin Zachrisson (Swedish Girls)

15 000 sek

Info

Blown and sculpted glass, uncoloured
‍
31 × 28 × 12 cm
10 kg

Josefin Zachrisson (b. 1994) is a multidisciplinary artist and designer. She is part of the art and design collective Swedish Girls. The Stockholm and Milan based group works across objects and installations with a conceptual and experimental approach.

Her first series of glass work is the result of a two week long residency in The Glass Factory Boda where she worked together with Glass Master Peter Kuchinke. The series consists of 15 unique vases in blow moulded and sculpted glass, each signed 2019.

Glass1 #1
Josefin Zachrisson (Swedish Girls)

10 000 sek

Info

Blown and sculpted glass, uncoloured
‍
28 × 24 × 10 cm
8 kg

Josefin Zachrisson (b. 1994) is a multidisciplinary artist and designer. She is part of the art and design collective Swedish Girls. The Stockholm and Milan based group works across objects and installations with a conceptual and experimental approach.

Her first series of glass work is the result of a two week long residency in The Glass Factory Boda where she worked together with Glass Master Peter Kuchinke. The series consists of 15 unique vases in blow moulded and sculpted glass, each signed 2019.

ClockClock24
Human Since 1982

110 000 sek

Info

Consists of metal-plated clock hands mounted ona handcrafted white housing of mineral composite and electrical components.

90 × 40 × 3,4 cm
18 kg

As design students at Valand HDK in Gothenburg, Bastian Bischoff (b. 1982) and Per Emanuelsson (b. 1982) went for a scholarship tour to Design Miami, there they bonded over the possibilities of cross-disciplinary works that they saw there which led them to launch their own design and art studio. Today their expanding studio employs programmers, designers, and technicians that helps to put together their innovative objects. Their ”clocks” are more like functional sculptures, something that seduces our perception in a meaningful way. Their objects are much appreciated which have been proved as their works have been seen at museums, airports and institutions all around
the world.

Crack dealers were dreaming
Fredrik Nielsen (Wetterling Gallery)

150 000 sek

Info

Glass
44 × 40 × 54 cm
45 kg

Improvisation and popular culture is two ways of trying to untangle the weird and magical pieces of glass that comes out of Fredrik Nielsen’s (b. 1977) hands. His approach to the ancient craft is physical. He wants the glass to feel as solid as his own body, to get as close to it as he possibly can and he has referred to his relationship with glass as an ”addiction”. Like free-forming jazz performances he sees the glassblowing procedure as a ritual close to live music. He has been trained both at the classic Orrefors Glass School in souther Sweden and The Royal Institute of Art in Stockholm. He is represented by Wetterling Gallery in Stockholm.

Blade (Altar VIII)
Yngvild Saeter (Andréhn-Schiptjenko)

40 000 sek

Info

Fairings from Yamaha YZF600R thundercat 1997-2007, rings, fake fur, lacquer, chains and studs.
‍
26 × 289 × 19 cm

With a highly personal aesthetic choice of materials – motorcycle parts, chains, metal rivets and fur, Yngvild Saeter (b. 1986) creates her own world. It derives partly from her background in the lifestyles of punk and straight edge, but she also had a near-death experience during surgery a couple of years ago which can be read into her creations. Her objects recalls that of body armor, of protection, but their placements in air or hanging on the walls like altar pieces also echoes back to the fragile state that a body can be put under. The works also recalls body parts, ribs, spines, like the heightened state of her own body that she felt after surgery. She is represented by the gallery Andréhn-Schiptjenko in Stockholm and Paris.